Us Reviews: What CinemaBlend Thought Of The New Jordan Peele Horror Movie

Us Reviews: What CinemaBlend Thought Of The New Jordan Peele Horror Movie
Lupita Nyong'o in Us

Jordan Peele's first movie was as big a success as any writer/director could have possibly hoped for. It was a massive box office success, it got audiences talking, and it won him an Academy Award for Best Original Screenplay. That's a tough act to follow, but now Peele is back with his brand new movie. Us hit theaters today and it had a lot to live up to. However, in the opinion of most of us here at CinemaBlend, Peele has another huge winner.


I wrote the official review and there really wasn't enough good that I could say about Us, I gave the movie 4.5 stars out of five. It is a chilling horror movie while being an equally chilling allegory. Much like Get Out, it's a movie that leaves you questioning not only the world around you, but also yourself.



Once again, as in Get Out, Jordan Peele finds the greatest way to scare the hell out of you is to make you take a good hard look at yourself.






Us follows a family of four on vacation in Santa Cruz when their peaceful time together is interrupted by another family of four, a quartet of twisted doppelgangers who have arrived to torture and torment their opposites. The who and the why of it all is the stuff of serious spoilers, but needless to say it's all pretty terrifying.


But there's also so much more to it than that. There's a lot to potentially dissect about Us. While the movie works as a straight forward horror movie if that's all you're looking for, there are many layers to what Jordan Peele has put in front of us. Some are obvious, others less so. This makes it the sort of movie you'll want to run out and talk to people about as soon as you see it. CinemaBlend Managing Director Sean O'Connell recommends that you not only see Us, but you see it with friends...twice...



Us proves that Jordan Peele isn't a one-hit wonder. It also proves that, after only two films, he's already operating on a higher level than most seasoned storytellers. Going more "horror" than the socio-political commentary of Get Out, Us tells a twisted tale of doppelgängers and home invasions, suggesting that the enemies who should scare us the most might just be ourselves. See it with a group, because you're going to want to discuss this with people immediately after you see it... and then go see it again.






Is there anything that can even be said about Jordan Peele that hasn't already been said? The man had already proven himself to be one of the smartest comedians out there, and he shows how closely comedy and horror are truly linked by proving he's the best working today when it comes to horror movies. As the creative force behind, now, two of the best movies of the last two years, We know Jordan Peele is everything he appears to be.


Sr. Movie Contributor Mike Reyes is another who sings the praises of Jordan Peele, but is also sure to give a shout out to the real MVP of Us, star Lupita Nyong'o.



With Us, writer/director Jordan Peele only further cements his position as a storyteller and satirist of the highest order. His story of doppelgangers out for revenge dives deep into some dark waters of paranoia and social commentary, but does so in such a manner that it never forgets to entertain its audience. Furthermore, Lupita N'yongo delivers a masterclass of acting, as her dual role is the centerpiece of a complex film that's only going to get better with age and repeated views.






Jordan Peele's previous directorial effort Get Out, was one of those films that many have a tough time classifying. While most would certainly call it a horror movie, it was one made without some of the elements that many would closely associate with the genre. Us, is a much more straight forward horror movie, as it has monsters and more on-screen violence, but that doesn't mean it's an easier movie to categorize. CinemaBlend's Braden Roberts loved the way Us was able to be more than one thing, and be all of them so well.



Jordan Peele’s Us is a trapeze act that manages to juggle horror, thriller and even comedic elements on an increasingly intense scale. To place a single genre on the film would be wrong as it’s a harmonious amalgam of fear and delight. Not to mention Luipta Nyong’o, whose performance alone is reason enough to get out and see Us in theaters.



Of course, while most of us who saw Us loved it, there is rarely complete agreement when it comes to art, especially here at CinemaBlend. Product Manager Cody Beck just wasn't able to connect with Us in the way that the rest of us were. While he certainly appreciated various elements of the film, he felt those elements just weren't able to come together in a satisfying way.






Us definitely did a beautiful job of telling a story, it was just a story that never fully pulled me in. Peele’s sophomore film was intense and brutal, yet also funny and full of great pop culture references spanning decades and while the story itself was unique and clearly symbolic of real-world issues, it was also just a bit too bizarre for me to fully accept. I still recommend horror fans check it out and I’m still just as eager to see his upcoming reboot of The Twilight Zone.



While the praise might not be universal, it is largely positive. Jordan Peele certainly has another thrilling movie on his hands that is going to get audiences talking. If the box office estimates are any indication, it will also be a huge financial success as well. If we all run out to see it more than once, as many are suggesting is worth doing, that's only going to make it that much more of a success. This is the one everybody is going to be talking about, and it's one you're going to want to ask everybody about after you see it.


Us is in theaters now.




How Robert Downey Jr. Really Felt About Tony Stark's Endgame Story

How Robert Downey Jr. Really Felt About Tony Stark's Endgame Story
Tony Stark in Avengers: Endgame

Warning: MAJOR SPOILERS for Avengers: Endgame ahead!


Since 2008’s Iron Man, Robert Downey Jr. has been on a journey with Tony Stark, and in that time the Marvel Cinematic Universe has grown in stature and scope around him. While that growth will continue, it would appear it will now be without Robert Downey Jr. because in Avengers: Endgame, Tony Stark sacrificed himself by using the Infinity Stones to defeat Thanos.


It was a heroic and poetic end for the character, closing out the Infinity Saga and these first 11 years of the MCU by circling around back to its beginning. But how did Robert Downey Jr. feel about it? While speaking about how the film's actors responded to their character’s fates, co-director Anthony Russo addressed just that. He said:





A lot of the actors are not opinionated about what we do. They like the fact that we are sort of in control of these stories and we are driving where they should go and we have a vision for where they should go and they trust in that. I think Downey may have had mixed emotions about thinking about [where Tony Stark ends up in Endgame], but I think at the end of the day, he totally accepted it.



By the sound of it, Robert Downey Jr. wasn’t completely gung-ho about what happens to Tony Stark in Avengers: Endgame. Unlike some of the other actors in the cast who had a more laissez faire attitude towards where their characters went, happy to let the writers and filmmakers decide, it sounds Robert Downey Jr. had his own opinions. Which, if we're being honest, totally fits for the guy who plays Tony Stark.


The Russo Brothers pitched Robert Downey Jr. Tony Stark’s arc in the film to make sure that he was comfortable with it. Although he ultimately accepted it and was cool with what happened, based on what Anthony Russo told THR, the actor had some mixed feelings about where Tony Stark ends up in the film.




It will be interesting to hear from Robert Downey Jr. himself about what he thought of Tony Stark’s fate in Avengers: Endgame and why he felt however he did, but mixed emotions are certainly understandable. The actor has spent over a decade with this character, so he likely had a great deal of investment in Tony Stark and his own ideas about what would happen to him and how his story should end.


This is purely conjecture, but maybe Robert Downey Jr. liked that Tony Stark got a poetic and heroic end, but had hoped that he wouldn’t die at all. So he may have accepted and appreciated the ending on a story level, but still wished that this character that he played for so long and was paid so handsomely for could have survived. Maybe he preferred a purely happy ending where Tony and Pepper lived happily ever after and he got to watch Morgan grow up.


The fact that Robert Downey Jr. had mixed emotions about the end of Tony Stark’s arc reminds me a bit of Mark Hamill’s feelings about Luke Skywalker in Star Wars: The Last Jedi. While that was a case of Mark Hamill being somewhat vocal in his disagreement with his character’s choices in the film, it was also an instance of an actor who genuinely cared about his character and had opinions and ideas about the way his story should go.




You can see Robert Downey Jr.’s brilliant work as Tony Stark in Avengers: Endgame, in theaters now. If you’re going to see it for a second, third or fifth time, be sure you know what ticket to buy. Also check out our 2019 Release Schedule to see all the biggest movies headed your way this summer.

New Child's Play Poster Throws Savage Shade At Toy Story 4

New Child's Play Poster Throws Savage Shade At Toy Story 4
Child's Play poster

This summer, two opposing movies centering on toys will hit theaters on the exact same day: Child’s Play and Toy Story 4. Though each of them may be offering some movie nostalgia to their respective fans when they go toe-to-toe at the box office, they are certainly catering to different audiences. Either way, Chucky isn’t taking any chances at being overshadowed for his upcoming return to the big screen. Just take a look at this:


Uhh… guys… it looks like Chucky murdered Woody. Maybe the Pixar franchise should have finished at Toy Story 3 in 2010 with its endearing ending, because this is not how we wanted to see the beloved Tom Hanks character's days end. The new Child’s Play poster via the film’s Twitter is reminiscent of one of Toy Story 4’s that had Woody tipping his cowboy hat to the same muted tones and font to accompany it. Take a look below for comparison:


The clever piece of marketing takes full advantage of the side-by-side billing the two movies are set to share in June. Do you think the studio nabbed the same spot as Toy Story 4 for this reason? It doesn’t seem likely since the animated sequel is one of the most highly-anticipated sequels of the year.




Early tracking has Toy Story 4 at making $130 million in its first weekend, likely topping numbers during its debut, while Child’s Play is looking at numbers closer to the $12-$22 million range. So while the poster may signify Toy Story 4 receiving the beating this summer, it will more realistically be the other way around.


Child’s Play will be the eighth Chucky film (five of which have had a theatrical release), in a franchise that has collectively made $176 million worldwide unadjusted. The upcoming version will be a reimagining of the horror tale. Instead of Chucky encompassing the soul of a killer, the evil doll will be an A.I. model gone wrong. The plastic knife-wielding villain will be voiced by Star Wars’ Mark Hamill.


Widespread audiences are much more keen on the friendly toys, as the Pixar trilogy has made close to $2 billion worldwide unadjusted since the franchise kickstarted the animated studio’s success in 1995. The fourth film will be exploring the “creepy doll,” as one of their new characters will be a ‘60s pull-string doll named Gabby Gabby (voiced by Christina Hendricks). The movie’s potential villain has a small army of ventriloquist dummy henchmen to do her bidding.




While Toy Story 4 will likely defeat Chucky in box office numbers, the Pixar film has nothing on Child’s Play out-of-box social media tactics. The upcoming R-rated film even celebrated 420 with an odd weed-themed poster.


Which movie will you be seeing on June 21? Child’s Play or Toy Story 4? Let us know in the comments below!

Why Dumbo Should Have Been A Sequel Instead Of A Remake

Why Dumbo Should Have Been A Sequel Instead Of A Remake
live action Dumbo with feather

The following contains SPOILERS for the new live action Dumbo.


Dumbo won the box office this past weekend, but it did so with less than impressive numbers. The movie performed similarly with critics. The film has received slightly more negative reviews than positive ones, but critics are split almost in half. Either way, most positive reviews aren't glowing and most negative ones aren't too damning. As one of those who had a slightly positive view of Dumbo, I liked so many aspects of it that I wish it was better, and I think it could have been if it had followed its true calling and just been a straight sequel rather than a remake.


If you've seen Dumbo, then you know that most of the movie is essentially a sequel already. The events that cover the story of the original animated Dumbo get dispensed with in less than 30 minutes. Considering that the original movie did it in only slightly more than double that time, it makes sense not to waste too much time with it. Once Dumbo is discovered to be a flying elephant, the animated film ends, but that's just the end of Act I for the new movie.




The stuff that's worthy of praise in Dumbo almost exclusively comes from the latter two-thirds of the movie. You get the utterly insane "Evil Walt Disney" villain played by Michael Keaton. You get Eva Green, who is awesome because she's Eva Green. You get Tim Burton's take on "Pink Elephants on Parade," which is a thing I didn't even know I cared about. You get Colin Farrell being "adorable dad," which is his perfect position in Disney movies.


The biggest problem that Dumbo has is that it has trouble letting all of these ideas breathe because it has to dedicate a significant portion of its run time to the original story of Dumbo.


This is pretty much unnecessary and could have been overcome quite easily. The fact is that while Dumbo is certainly a story we all know, unless you've seen the film recently, odds are all you really remember about it is, "There's an elephant that can fly." That's actually all you need to know. If you do remember more, you certainly don't need to see it again.




Imagine if the new Dumbo opened exactly as it did, with Colin Farrell's Holt Farrier coming back from war, only this time, instead of Danny DeVito's Max Medici putting him in charge of the elephants before Dumbo is born, Medici tells Farrier that he's really happy Farrier is back, because the circus has a new star that needs to be taken care of, and Farrier is just the man to trust with the job. Dumbo flew for the crowd for the first time last night and word has already begun to spread. That's all we really need to know. Any additional info can be conveyed through dialogue with the other circus performers.


We didn't need to see anything of the original plot in this movie. I have no particular love for the original Dumbo, but there isn't anything I think the new version did better. The "Baby Mine" sequence is an emotional moment in the animated film, but it felt like it was being included in the remake simply because it was the sort of things fan expected. It was tacked on.


Now the movie can jump straight into the new material. The 20 minutes we just saved can be used to dig a little deeper into the rest of the story. We could get to know some of these characters a little better, as that was one of the big things missing from this new version of the story. Farrier's kids are important parts of Dumbo's life, but beyond, "Milly likes science," what do we really know about them?




I had a similar problem back when I first saw Disney's Maleficent. The film surprised the hell out of me by turning the story of the mistress of all evil into a rape revenge story. Needless to say, I did not see that coming. I found both the beginning and end of the movie to be quite good, but in the middle the story of Maleficent took a back seat because we had to tell the story of Sleeping Beauty, because clearly the feeling was it needed to happen. This slowed the movie to a crawl.


The idea behind these remakes is that people love these classic Disney stories, and the live-action versions allow fans to experience them in new ways that honestly weren't possible until recently. While that may be true, what if we looked at it from another angle? Because these stories are so well loved, we don't need to see them again since we know them incredibly well. However, that doesn't mean we don't need to want to see the characters again.


Because we don't need to see these movies again, but we love the characters all the same, sequels are the way to go. Take the animated original as a given, and then come up with a live action sequel that will give us something fresh and new. It won't work with every Disney property, of course. A live-action sequel to Aladdin rather than the remake we're getting would have to include somebody trying to recreate Robin Williams version of that character, and nobody wants that. But if even just a few of these movies went the sequel route, it would at least change things up a bit and let the remakes feel a bit fresher when they did happen.




Of all the live-action fairy tale movies that Disney is releasing this year, I'm actually looking forward to Maleficent: Mistress of Evil above them all. Because the film is a sequel to a movie that never had a Disney animated sequel, the story will almost certainly be entirely original. It's not going to feel like it owes anybody anything and won't need to include scenes that fans want to see new versions of, but will instead just get to tell its own story. i can only hope it's willing to take some of the same risks the previous film did.


Dumbo would have benefited greatly by simply committing to being the sequel it largely was anyway. Trying to be both things in order to make fans happy only prevented the film from being its own thing and flying on its own.

Disneys Original Ariel Is All-In On Live-Action Little Mermaid

Disneys Original Ariel Is All-In On Live-Action Little Mermaid

There are a variety of opinions regarding Disney's onslaught of live-action remakes that have been released over the last several years. Not everybody involved in the original animated classics is in love with the concept, but Jodi Benson, the voice of Ariel, says she's all in favor of the reported plan to remake The Little Mermaid, because she trusts the people involved in the project to do it justice. According to Benson...

Yeah. I think it's going to be incredible. They are talking about this concept, and the team of people that I've heard mentioned for this particular live-action film sounds quite magical. And I think for Alan [Menken] to be teaming up with Lin-Manuel is going to be phenomenal, and if in fact we have Robbie Marshall, if that is the case, as director and John DeLuca as executive producer. Mary Poppins Returns, I think, was just a fantastic film, so I know that Robbie is an incredible director with a great eye. I think he can handle it. I think it can be delivered in a way that's going to be quite special. I don't know exactly how they'll pull it all off, but I'm sure it'll be amazing.

It's easy to be excited about the live action Little Mermaid when you look at the people who are reported to be involved in it. Rob Marshall, who just came off the success of Mary Poppins Returns has reportedly been offered the director's chair. He was supposed to be making a decision on the job after the holidays, though we've heard nothing about whether he's taken the job or not. In this case, no report that he's turned the job down is likely an indication that he's at least still considering. Marshall's frequent collaborator, producer John DeLuca, is also coming along for the ride assuming Marshall says yes.

Musically, the movie is also in good hands as well as Alan Menken, who wrote the music for the original animated Little Mermaid, will be back for the live-action version. Lin-Manuel Miranda is also involved to work with Menken on brand new music for the new version of the film. Miranda showed just what he could accomplish with Disney music with the remarkably impressive music in Moana. Miranda has a particular love for The Little Mermaid. He has a son named Sebastian who was named after the film's famous crab.

The current status of the new Little Mermaid is unknown. Nothing has been officially set in stone regarding the project. No lead has been signed. There were rumors that Disney was looking at Zendaya to play the role, and while she may be a short list at the studio, the last time anybody had asked, the Spider-Man: Homecoming actress had not been approached about the role.

Jodi Benson's words to ComicBook.com will certainly be a nice boost for the project, though we'll all still have to wait and see when and if this project goes anywhere.





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Some fans were disappointed that this trio never appeared together on screen, with Luke only appearing in the film's final shot. Hamill himself was disappointed by this reveal, though he had his own ideas for Star Wars: The Force Awakens director JJ Abrams on how Luke could have returned to the saga.
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Rumor: Lady Gaga Allegedly Loved Her Star Is Born Role So Much She's Having Trouble Letting Go

Rumor: Lady Gaga Allegedly Loved Her Star Is Born Role So Much She's Having Trouble Letting Go
Jackson singing I'll Never Love Again

It was a whirlwind Awards Season, as 2018's top movies competed for various accolades from the filmmaking community. One of the projects that picked up a ton of nominations was Bradley Cooper's directorial debut, A Star Is Born. The musical drama was a massive success, earning money at the box office, topping the music charts, and earning a whopping eight Academy Award nominations-- even earning one. It was also a breakthrough for Lady Gaga, who became a bonafide leading lady.


Lady Gaga got a ton of positive attention and nominations for playing unknown singer Ally, and it should be fascinating to see how her acting career continues on. But a new rumor indicates she's having a hard time letting go of Ally Maine, after living as the character during filming and press for A Star Is Born. This report indicates the singer/actress is still a well of emotion, and is therefore struggling to leave her Oscar nominated role behind her.


This rumor comes via Us Magazine, which also reported on the "insane chemistry" that Lady Gaga and Bradley Cooper share on the screen and stage. While that connection is no doubt what helped bring Jackson and Ally's love story to life in A Star Is Born, it also fueled the fire of the rumor mills. And that fire got considerably larger after the duo performed the film's anthem "Shallow" during the Oscars.





Bradley Cooper and Lady Gaga walked from the audience directly onto the Academy Awards stage, and belted out "Shallow" for the audience, breaking the internet in the process. The chemistry between the two was palpable, and it even looked like they might kiss when sharing a microphone. Rumors began swirling about the two's personal lives, although Gaga put the to rest on a Jimmy Kimmel Live! appearance.


Lady Gaga appeared on Kimmel, complete with the Oscar she won for Best Original Song. When discussing her Oscars duet with Bradley Cooper and the rumors that followed, Gaga said:



Social media, quite frankly, is the toilet of the internet. And what it has done to pop culture is just abysmal. Yes, people saw love and guess what? That’s what we wanted you to see. This is a love song, 'Shallow'. A Star Is Born is a love story.






That seemed to put the story to bed, or at least it was Lady Gaga's attempt to do so. Because now more rumors are circulating about Gaga and her A Star Is Born director/co-star. And once again, it relates to the chemistry shared between the two professionals. While Bradley Cooper has had a long acting career, it's still the early stages for Gaga. As such, the reports indicate that she's having a harder time letting go of Ally, after spending so much time with her. And that includes the character's love for her fictional husband Jackson.


A Star Is Born is available for home purchase now. Be sure to check out our 2019 release list to plan your next trip to the movies.

Good Boys Red Band Trailer Has Jacob Tremblay Dropping F-Bombs And Playing With Sex Toys

Good Boys Red Band Trailer Has Jacob Tremblay Dropping F-Bombs And Playing With Sex Toys
Good Boys Jacob Tremblay and co-stars with Sex Toys

We’ve entered the era of Jacob Tremblay getting into raunch comedy. The adorable 12-year-old kid from Wonder and Room will next star in Good Boys, a raunch comedy about three friends who get into trouble while trying to figure out how to kiss girls. You can can check out the ridiculous premise, as well as sex toys, drones, drugs and more in the full trailer below.


As you can probably tell with the early explanation to this trailer it’s Red Band and thus NSFW.


Jacob Trembley is joined by fellow actors Brady Noon and Keith L. Williams in the Good Boys trailer. The Red Band look at the movie has a funny intro featuring Seth Rogen, who produced the flick alongside Evan Goldberg, Joe Drake, Nathan Kahane and James Weaver. Basically the gist is that the middle schoolers in the movie can’t actually watch the red band trailer because they aren’t old enough, even though the were the ones tasked with dropping f-bombs and more here.





Although the kids are much younger in this trailer, obviously this movie has some of the same “kids getting into shenanigans” narrative that Superbad did more than 10 years ago. Universal Pictures and Good Pictures make a point to connect the new movie with “the guys who brought you Superbad.” (Superbad was written by Seth Rogen and Evan Goldberg.)


It’s always a little bit of a shock factor when 12-year-old boys are dropping f-bombs, but that’s something they often do with their friends. Otherwise, despite the references to Molly and the specific and varied uses of dildos, this trailer is witty and heartwarming.


Seriously, though, there are so many sex toys here.





Also, there are plenty of f-bombs from the youngsters who aren’t Jacob Tremblay and more. The general plot is that these kids are trying to figure out how to kiss. They use a drone to spy on some nearby women, which then leads to them stealing a purse to exchange it for the drone. Unfortunately, there are drugs in the purse and shenanigans ensue.


These shenanigans involve frat boys, stealing beer from a gas station, watching porn and seemingly causing a major traffic accident on a freeway. Just a regular Saturday for these young men. (Actually they are in way over their heads.)


Good Boys doesn’t currently have a release date, but we’ll let you know as soon as the Universal Pictures movie does get a date. In the meantime, take a look at the full movies schedule to see what else is coming up in 2019. If you are keeping tabs on Jacob Tremblay's career at all, you'll also be able to catch him in Doctor Sleep and The Twilight Zone coming up.